Jonathan Solari, CEO, was featured in The Cap Times discussing Madison Ballet's work to remove barriers to dance for both audiences and artists while highlighting our mission to serve our community through dance.
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Madison Ballet collaborated with ARTS For ALL Wisconsin, to pilot a program that invited differently abled members of our community to attend our dress rehearsal of The Nutcracker.
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School of Madison Ballet Director Rachelle Butler has been actively seeking opportunities to highlight the challenges dancers of color face in the historically Euro-centric world of ballet. She recently published an op-ed on the topic of racial inequality in ballet for the website Capital City Hues.
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After a thorough executive search in partnership with QTI, the Board of Directors is pleased to welcome Jonathan Solari to the Madison Ballet staff in the role of Chief Executive Officer.
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If you're not in the holiday spirit yet, we have four events happening this weekend that are sure to add some magic to the season.
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Madison Ballet’s 2014 Nutcracker, at Overture Hall through December 27 was a bit like that Victorian rhyme about bridal good luck charms – something old, new, borrowed, and blue
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Madison Ballet is marking a decade of residence at Overture Center with its 2014 production of The Nutcracker, and Saturday evening's performance revealed some changes in both choreography and costumes
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Since opening in 2004, the arts venue has also influenced the downtown business climate, enhanced artistic and educational resources for the community, and sparked animated political, financial and social discussions.
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Just as there have been thousands of performances at Overture Center in its first decade, patrons and performers have experienced thousands of memorable moments at the venue.
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What a thrill, after this bitter winter (and too many dull, formulaic performances by other companies) to see dance that was magical and uplifting.
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Madison Ballet closes its 2013-14 season with Repertory II, a program at the Bartell Theatre. It has three works, two from artistic director W. Earle Smith and one from iconic choreographer George Balanchine, and features former New York City Ballet principal dancer Charles Askegard.
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